Les Filles de Illighadad (Niger) with Spero

/ Oct

Les Filles de Illighadad (Niger) with Spero

Front Room
07:00 pm
$10 adv / $15 door

Monday October 7th

BSP Kingston presents

Les Filles de Illighadad from Niger! [Sahel Sounds]
with special guest Spero!

$10 adv / $15 door | 18+ | 7PM Doors / 8PM Show

Advance Tickets :: http://bit.ly/2WzLF2I
Also available locally (cash only, no fees) at
outdated: an antique café // Rocket Number Nine
Jack’s Rhythms // Darkside Records // Woodstock Music Shop

Les Filles are all from Illighadad, a secluded commune in central Niger, far off in the scrubland deserts at the edge of the Sahara. The village is only accessible via a grueling drive through the open desert and there is little infrastructure, no electricity or running water. But what the nomadic zone lacks in material wealth it makes up for deep and strong identity and tradition. The surrounding countryside support hundreds of pastoral families, living with and among their herds, as their families have done for centuries.

The sound that defines rural Niger is a music known as “tende.” It takes its name from a drum, built from a goat skin stretched across a mortar and pestle. Like the environs, tende music is a testament to wealth in simplicity, with sparse compositions built from a few elements, vocals, handclaps, and percussion. Songs speak of the village, of love, and of praise for ancestors. It is a music form dominated by women. Collective and communal, tende is tradition for all the young girls of the nomad camps, played during celebrations and to pass the time during the late nights of the rainy season.

In the past years, certain genres of Tuareg music have become popular in the West. International acts of “desert blues” like Tinariwen, Bombino, and Mdou Moctar have become synonymous with the name “Tuareg.” But guitar music is a recent creation. In the 1970s young Tuareg men living in exile in Libya and Algeria discovered the guitar. Lacking any female vocalists to perform tende, they began to play the guitar to mimic this sound, replacing water drums with plastic jerrycans and substituting a guitar drone for the vocal call and response. The exiled eventually traveled home and brought the guitar music with them. In time, this new guitar sound came to eclipse the tende, especially in the urban centers. If tende is a music that has always been sung by woman, the Tuareg guitar was its gendered counterpart, and Tuareg guitar music is a male dominated scene.

Fatou Seidi Ghali, lead vocalist and performer of Les Filles is one of the only Tuareg female guitarists in Niger. Sneaking away with her older brother’s guitar, she taught herself to play.While Fatou’s role as the first female Tuareg guitarist is groundbreaking, it is just as interesting for her musical direction. In a place where gender norms have created two divergent musics, Fatou and Les Filles are reasserting the role of tende in Tuareg guitar. In lieu of the djembe or the drum kit, so popular in contemporary Tuareg rock bands, Les Filles de Illighadad incorporate the traditional drum and the pounding calabash, half buried in water. The forgotten inspiration of Tuareg guitar, they are reclaiming its importance in the genre and reclaiming the music of tende.

Spero is a songstress, multi-instrumentalist & educator with a fondness for loops and anything Funky. Born in Philly and brought up in Tokyo and Honolulu on a steady diet of
classic motown & soul, Spero continues to hone her craft from an inconspicuous locality in the Hudson Valley. Her ethereal grooves, soulful voice and dark lyrics float over an original twist on finger-style guitar. Luscious blends of jazz, folk and world rhythms, particularly those of Senegal, West Africa, color her original compositions.

She is on a mission of inspiring social solidarity through music, movement & supporting healthy food systems to reclaim the beauty, magic & power of humanity.