Christmas with The Black Lips & The Nude Party!

14
/ Dec
Friday
2018

Christmas with The Black Lips & The Nude Party!

Venue
Front Room
Time
08:00 pm
Price
$20.00

Friday Dec 14th

BSP Kingston + Meltasia present

Christmas with The Black Lips+ The Nude Party w/s/g Santa

$20 | 18+ | 8PM Doors / 9PM Show

Tickets are on-sale now :: https://bit.ly/2CcvBcv
Also available locally (cash only, no fees) at
outdated: an antique café // Rocket Number Nine
Jack’s Rhythms // Darkside Records // Woodstock Music Shop

The story of the Black Lips began in Dunwoody, Georgia, a quiet, conservative suburb of Atlanta, in the year 1999. Born of a mutual love of Link Wray, The Stooges, and The Ramones, and sealed through a shared dedication to defiance, the band formed after childhood friends Jared Swilley and Cole Alexander were kicked out of Dunwoody High for separate, yet equally bad, behavior. The former classmates took their love of music and restless energy and channeled it into their newly found free time, and joined by friends Ben Eberbaugh and Joe Bradley, the Black Lips started playing shows around Atlanta, at house parties and bars. They spent this time honing their sound – garage rock infused with blues, psychedelia, and punk, plus a healthy dose of reckless abandon – and released their first 7-inch, “Ain’t Coming Back,” in 2002 on Die Slaughterhouse records (named in homage to the flophouse den they called home). Shortly before the band was set to head out on their first ever national tour, Eberbaugh was tragically killed by a drunk driver. Devastated but determined to carry on in Eberbaugh’s honor, the Black Lips hit the road as a trio just a few days later.

It’s been 15 years, but that passionate dedication to touring has never left the band. The Black Lips have released eight full-length albums since that first tour, and have traveled the country and the world extensively, making a name for themselves as an electrifying, must-see live act. It helps that the same mischievous spirit that helped speed up their exit from the educational system is still very much alive, thriving in its new environment on stage, resplendent with punk rock theatrics and miscellaneous bodily fluids, amongst other things. The band’s energy and unique “flower punk” sound helped them build a rabid fan base.

Despite rock’n’roll’s rapidly waning role in mainstream culture, thousands upon thousands of rock groups currently occupy our nightclubs, bandwidth, and brainspace with their performance, recording, and Bandcamping. And while the ubiquity of these projects crowd 2018’s musical landscape, from Highland Park to Bushwick and all points in between, the authentic rock’n’roll band is an endangered species. While any musician with wifi can actualize a rock group in a matter of minutes, a band, in the words of one of our great contemporary philosophers Ian Svenonius, is “about an ideology, a way of life, an aesthetic.”

The Nude Party is one of the last of these aggregations – an inseparable gang of blood brothers bonded by a musical mission indistinguishable from their friendship. The band’s psychic and effortless musical communication comes from learning how to play their instruments together since their teens, rooming together in house after house for six years, and developing their sound and aesthetic through literal nude partying together.